Basantharmarkar

  TEENTAAL OR TRITAAL IN TABLA  TEENTAAL IS 16 BEATS CYCLE IS DIVIDED BY 4 4 4 4  IN CLASSICAL MUSIC  READING TAAL WITH KHALI AND BHARI  TEENTAAL IS IS 16 BEATS CYCLE  IN CLASSICAL IS CALLED 16 MATRA  WHAT IS TEENTAAL BOL ?  TEENTAAL IN 16 BEAT CYCLE AND TEENTAAL FOUR PART AND ALL FOUR PART 4 4 4 4 MATRA DIVIDED  TEENTAAL IS          DHA DHI DHI DHA   |   DHA DHI DHI DHA          X                                       2         DHA TIN  TIN  TAA.  |     TAA DHI DHI DHA         0                                         3 IT IS CALLED TEENTAAL 

Ajrada and Farrukhabad Gharana To understand the subject of the thesis of the researcher, it is important to study the baaj and playing style of Ajrada and Farrukhabad gharana. The development of various baaj or development ofits playing style is actually associated with make of a tabla. The sound and rhythm of tabla changed over the years as there  was a change in its construction over the years. These new baaj were originated to comprise all these specialties that have  developed over the years. This can understand as during the initial creations ofcompositions of Delhi gharana. Bcinya was smaller and danya was bigger. Due to this it was appropriate to keep less sound of bcmya. However, with increasing size of bcmya, it was possible to bring novelty by  indentifying its sound. This resulted into more use of bcmya in Ajrada gharana. Initially the players of Lucknow gharana used to play thapiya bacij, when they heard  compositions style of Delhi gharana for the first...